My career began at MediaSound Studios in New York City in 1976. I worked my way up from the Shipping Department to staff engineer by 1978. The staff engineers that I assisted were all the hottest guys in town including; Bob Clearmountain, Mike Barbiero, Ron St. Germain,Michael DeLugg, Ed Stasium, Godfrey Diamond, Tony Bongiovi and Harvey Goldberg.

My first big break came when I was asked to record and mix two songs with singer Luther Vandross for an R&B record called Change. Soon after, Luther approached me to record his upcoming solo album Never too Much which went on to become a Gold Record. I became Luther’s engineer and recorded all his music for the next four years including two Aretha Franklin albums.

In 1984 I flew over to London where the music scene was exploding. I met some A&R people that were willing to give me a shot at production and remixing. I soon became in demand and worked for all the major London labels until 1990 when I decided to focus on the American scene.

I went on to mix such records as the Stones’ Steelwheels, New Radicals, Tony Bennett’s Grammy® Album of the YearUnplugged. I’ve received 7 Grammys® including ColdPlay’s Alternative Album of the Year Parachutes, John Mayer’s Best Pop Vocal Album, Continuum, ColdPlay’s Best Rock Album, Viva la Vida, John Mayer – Best Engineer in Non-Classical, Battle Studies, Calle 13’s Best Latin Rock Urban or Alternative album for Multi Viral along with a Latin Grammy for Calle 13 Best Urban Album and Angelique Kidjo, Best World Music Album for Eve.

In 2018 I opened my own studio, BrauerSound Studios, in New York City’s Chelsea area. At the new studio I began utilizing a hybrid mixing setup for the first time in my career, making the mixing process more powerful and efficient.

Recent projects include Zac Brown Band, Hootie & the Blowfish, Michael Kiwanuka, Slash, and The Courteeners.